Botticelli-Saville Comparitive Art Essay

The view of the au naturel(predicate) is eraless, primal and universal. It has the ability to incite intense interest, yearning and evening repulsion in the viewer. We often find that images of the nude reflect upon societys attitudes towards lulu and sexuality issues. These issues atomic number 18 strongly highlighted in Jenny Savilles au naturel(p)ly confrontational Propped, which encompasses of a ham-fisted naked woman sitting on a stool. Her artistic production forces the viewer to think of the feminine nude as not totally an object, but too as a subject. Botticellis give of genus genus genus genus genus genus genus genus Venus also addresses the issues of beauty and gender.In the artwork, Venus appears to be acclivitous from the sea, standing in a shell. Symbolising distaff desirability, the Early Renaissance painting is in consent to the myth of her birth as a to the full gr witness woman. The shape and form in Propped is distinctly drastically distorted. Sa ville has employ foreshortening as a focus to emphasise the weight and size of the interprets luggage compartment, al about perceptibly the small scale of the head, which prospects incredibly small in contrast to the rest of the recruit. Foreshortening and tone help to gain a distinctive look of the figures legs and knees. at that place are various patches of light tones included across the white meat country and knees, and the extreme distortion makes them look abundant and almost bruised. There is limited colour utilize in the painting, mainly very natural pigments such as white, cream and light pink. Black has been utilize for the stool in the centre of the image, and coffee and olive colours can be seen in the background. There is also a text that can be seen scratched into the paint in mirror writing, running across and d let the figures body which reads If we continue to speak in this sameness speak as men call for spoken for centuries, we leave behind fai l each early(a) again.Saville has multicolour the artwork to make a point to make the viewer realise that fatten up is a feminist issue. The angle of view in the artwork is low, and the observer is do to look up at the figure. In descent of Venus, Botticelli has used light, console colours throughout all aspects of the painting, including highlights added into Venus hair to perhaps emphasise the femininity of her body. Distinctive analog style and brushstrokes hurl been used to ensure decimal point in the tones and textures of the painting. Botticelli was known for including the linear style into his artworks, a style that was revived in the late nineteenth century.The composition of the painting is impartially balanced. The artist has placed the figures in the artwork off to separate emplacements with Venus centred as the focal point. The weight and poses of the figures either side of Venus create symmetrical balance. The figure of Venus is slightly distorted. Botticel li has mislead the length of the neck and tend of the shoulders to enrich Venus natural elegance and grace. current lines and decorative patterns can be seen throughout the artwork, most noticeably in the waves and leaves on the tree towards the correctly of the painting.Propped has the same effect as a strike photograph that it is planly intend to unsettle its viewer. It is a significant artwork in nowadayss society as it raises contemporary concerns some expectations of beauty in the feminine body. Unlike stimulate of Venus, Propped presents us with the vibe that the observer is not necessarily virile. Feminists pitch praised Saville for her work and her interpretation of the womanly nude, noting that she has reclaimed the image of women liberating it from the diminishing male gaze.Botticelli owes his inspiration for Birth of Venus to the classical nonpareils of old-fashioned Greek art. At the prison term of its creation, almost all art was of a Christian theme. Nude women often symbolizationised sinful lust, however Venus remained to appear modest, attempting to hide her breasts with her hands and crotch area with her long, blonde, flowing hair. Venus strongly represented an Italian Renaissance ideal blonde, pale-skinned voluptuous. Ideal distaff body figures continue to be a topic of interchange in our society at once, as it was at the measure Birth of Venus was produced.Both artists have used the female nude as a means to represent issues about expectations of beauty in the female body in variant steerings. Botticelli has depicted Venus, the ethnical goddess of love, and the forerunner of spring. He has presented her as an ideal female figure for his time, consequently making her a symbol for female desirability. Jenny Saville, on the other hand, has dramatically cropped and foreshortened the female figure in her artwork in an attempt to emphasise the bodys physiological bulk, creating a less than ideal female figure for contemporar y society.Propped contains a strong cultural meaning, as do many of Savilles works. Susie McKenzie speaks of her artworks in an interview with Saville in the Guardian on October 22nd 2005, stating that Her exaggerated nudes point up, with an agonizing frankness, the disparity between the way women are perceived and the way that they tactual sensation about their bodies. Saville has clearly represented the female nude in a way that may confront todays society, daring her viewers to pass savvy on the figure in her artwork.Birth of Venus challenges the culture of Botticellis time, as it was a mythologic painting, rather than relating to a religious theme as most art of that era did. Both artworks in question are figurative paintings of female nudes. Birth of Venus exists to represent the female nude as a symbol of desirability in women, as well as an icon of beauty and pleasure. Savilles Propped raises questions on the appearance and role of traditional paintings of the nude, such as Birth of Venus. Both artists gained inspiration from a variety of sources, all diverse from one another.Botticelli created Birth of Venus under the influences from classical ideals of ancient Greece and Rome, as well as classical sculptures he would have seen belonging to the Medici family, a client of his own. Saville spent time quenching her fascination with the body, particularly female flesh, by spending many hours watching plastic surgeons bullshit flesh. Gender issues are a strong innovation in both works. A male aftermath Propped will generally react negatively to the female figure in contrast to the way they magnate perceive Birth of Venus.Because Birth of Venus is such a strong symbol of female desirability, a male viewer will usually take looking at Venus rather than the heavy-handed nude figure in Propped. Women will more than commonly be able to relate to the figure in Propped than Birth of Venus as it centres on issues of expectations of beauty and the way a f emale may feel about her body, whereas some women could be affright by the ambiance of Venus. Both Propped and Birth of Venus are of immense scale. Birth of Venus was painted to fit an architectural setting.At the time of its production, Botticelli intended for the observers of his artwork to view the subject matter, Venus, as an worldly goddess who stimulated humans to physical love, or as a heavenly goddess who enthused intellectual love in them. The interpretation of todays society will differ, due to the lack of knowledge of mythological and ancient Greek themes. It has been suggested that viewers of our time will look at the painting and feel their judgings simply lifted to the realm of divine love.Savilles work has been made to be presented in galleries and exhibitions. The scale of her work (213. x 183cm) is used to overwhelm the viewer, and demands an uncomfortable degree of inter-group communication between the gaze of the nude figure and the observer. Her purpose of cr eating the artwork was to raise questions about the expectations of beauty in todays society. We are under the flick that the viewer of this type of artwork is generally female, and Saville wants her female observers to pass judgement of the figures enormous shape and size. Propped challenges the ideal view of women, as it depicts a hefty female nude figure rather than a tenuous one, which is usually preferred in current society.Birth of Venus, however, provokes themes of beauty and lust, ideal to men and perhaps most other viewers. It is important to keep in mind that both artworks have been painted by different genders. Saville raises concerns about the representation of the female nude, which could be affiliated to the fact that she relates to the figure as a woman, and possibly faces the pressures of the anticipation and desire for beauty in her own life. Botticelli represents both beauty and pleasure in the exemplary Birth of Venus.It is an important painting not only for t he Renaissance, but for our society also. This may be because Venus characterized the idealistic figure of a woman, an issue that is systematically apparent in everyday life for not only women, but also men. Women may feel intimidated or disconcerted when viewing Venus as they could feel personally uncomfortable with their own figure. Its main intention is to bring pleasure to the male eye. In brief, both artworks continue to play a significant role in society today because of these intentions, gender issues and representation of the female nude.